{"id":11,"date":"2019-01-23T22:18:18","date_gmt":"2019-01-23T22:18:18","guid":{"rendered":"http:\/\/marcelbrousseau.com\/?page_id=10"},"modified":"2024-07-03T04:25:07","modified_gmt":"2024-07-03T04:25:07","slug":"publications","status":"publish","type":"page","link":"https:\/\/katherinekelpstebbins.com\/?page_id=11","title":{"rendered":"Publications"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Books<\/h2>\n\n\n\n<ul class=\"wp-block-list\"><li><em><a href=\"https:\/\/ohiostatepress.org\/books\/titles\/9780814215043.html\">How Comics Travel: Publication, Translation, Radical Literacies.<\/a><\/em> Ohio State University Press, 2022. 238 pages.<\/li><li><em><a href=\"https:\/\/osupress.oregonstate.edu\/book\/art-of-news\">The Art of the News: Comics Journalism.<\/a><\/em> Print exhibition catalog. Editor. Jordan Schnitzer Museum of Art, 2021. 344 pages.<\/li><li><a href=\"https:\/\/issuu.com\/jsmauo\/docs\/art_of_the_news_catalog-digital-v2\/1\"><em>The Art of the News: Comics Journalism.<\/em><\/a> Digital exhibition catalog. Editor. Jordan Schnitzer Museum of Art, 2021. 344 pages.<\/li><\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Articles<\/h2>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/02722011.2023.2246788\">\u201c<\/a><em><a href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/02722011.2023.2246788\">The Two Shamans<\/a><\/em><a href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/02722011.2023.2246788\"> beyond the <\/a><em><a href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/02722011.2023.2246788\">Two Solitudes<\/a><\/em><a href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/02722011.2023.2246788\">: Michael Nicoll Yahgulanaas\u2019 Haida Manga as a Tool for Indigenizing Comics,\u201d <\/a><em>The American Review of Canadian Studies <\/em>53.3 (2024): 409-419. https:\/\/doi.org\/10.1080\/02722011.2023.2246788.&nbsp;<\/li><li><a href=\"https:\/\/www.cambridge.org\/core\/journals\/pmla\/article\/abs\/heterotopic-materiality-comics-and-translation\/3EB29BA8FC1323692B7F1BF534171773\">\u201cHeterotopic Materiality, Comics, and Translation,\u201d<\/a> <em>PMLA: Publications of the Modern Language Association of America <\/em>138.8 (2023): 730-40.<\/li><li><a href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/17430437.2020.1807956\">\u201cOn Ice or On Air?: How an Egregious Glowing Hockey Puck Crossed the Line into Augmented Reality,\u201d<\/a> co-authored with Marcel Brousseau, in <em>Sport in Society<\/em>, August 21, 2020.<\/li><li><a href=\"https:\/\/fmh.ucpress.edu\/content\/4\/3\/135.article-info\">\u201cGlobal Comics: Two Women\u2019s Texts and a Critique of Cultural Imperialism,\u201d <\/a><em>Feminist Media Histories<\/em> 4.3 (2018): 135-156<\/li><li><a href=\"http:\/\/mediafieldsjournal.org\/the-medium-is-the-masses\/\">\u201cThe Medium is the Masses: Embodied Amplification, Urban Occupation,\u201d<\/a> co-authored with Allison Schifani, <em>Media Fields Journal<\/em> 9 (2015)<\/li><li><a href=\"https:\/\/www.ingentaconnect.com\/content\/intellect\/stic\/2012\/00000003\/00000002\/art00010;jsessionid=1qwklop1505q4.x-ic-live-02\">\u201cHybrid Heroes and Graphic Posthumanity: Comics as a Media Technology for Critical Posthumanism,\u201d<\/a> <em>Studies in Comics <\/em>3.2 (2012): 331-349<\/li><\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Book Chapters<\/h2>\n\n\n\n<ul class=\"wp-block-list\"><li>\u201c<em>Fun Home<\/em>&nbsp;and&nbsp;<em>Are You My Mother?<\/em>&nbsp;as Autotopography: Queer Orientations and the Politics of  Location,\u201d&nbsp;in <em><a href=\"https:\/\/www.upress.state.ms.us\/Books\/T\/The-Comics-of-Alison-Bechdel\">The Comics of Alison Bechdel:&nbsp;From&nbsp;the&nbsp;Outside&nbsp;In<\/a><\/em>, edited by Janine Utell (University Press of &nbsp;Mississippi, 2020)<\/li><li>\u201cReading Spaces: The Politics of Page Layout,\u201d in <em><a href=\"https:\/\/www.oxfordhandbooks.com\/view\/10.1093\/oxfordhb\/9780190917944.001.0001\/oxfordhb-9780190917944\">The Oxford University Press Handbook of &nbsp;Comics Studies<\/a><\/em>, edited by Frederick Luis Aldama (OUP, 2019)<\/li><li>\u201cComics as Orientation Devices,\u201d in <em><a href=\"https:\/\/www.routledge.com\/Comics-Studies-Here-and-Now\/Aldama\/p\/book\/9780367590703\">Comics Studies: Here and Now<\/a><\/em>, edited by Frederick Luis Aldama (Routledge, 2018)<\/li><li>\u201cUndead in Suburbia,\u201d co-authored with Leila Estes, in <em><a href=\"https:\/\/rowman.com\/ISBN\/9781442268333\/The-Laughing-Dead-The-Horror-Comedy-Film-from-Bride-of-Frankenstein-to-Zombieland\">The Laughing Dead: The Horror-Comedy Film from <\/a><\/em><a href=\"https:\/\/rowman.com\/ISBN\/9781442268333\/The-Laughing-Dead-The-Horror-Comedy-Film-from-Bride-of-Frankenstein-to-Zombieland\">Bride of Frankenstein<\/a><em><a href=\"https:\/\/rowman.com\/ISBN\/9781442268333\/The-Laughing-Dead-The-Horror-Comedy-Film-from-Bride-of-Frankenstein-to-Zombieland\"> to <\/a><\/em><a href=\"https:\/\/rowman.com\/ISBN\/9781442268333\/The-Laughing-Dead-The-Horror-Comedy-Film-from-Bride-of-Frankenstein-to-Zombieland\">Zombieland<\/a>, edited by Cynthia J. Miller and A. Bowdoin Van Riper (Rowman and Littlefield, 2016)<\/li><li>\u201cSpectres of Media: Jacques Tardi\u2019s Graphic Reanimation of It Was the War of the Trenches,\u201d in <em><a href=\"https:\/\/rowman.com\/ISBN\/9781442251120\/Horrors-of-War-The-Undead-on-the-Battlefield\">Horrors of War: The Undead, and the Battlefield<\/a><\/em>, edited by Cynthia J. Miller and A. Bowdoin Van Riper (Rowman and Littlefield, 2015)<\/li><\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Reviews and Other Writing<\/h2>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/muse.jhu.edu\/pub\/30\/article\/916794\">\u201cMaking the Case for Comics Studies: Program Directors Roundtable.\u201d<\/a> With Qiana Whited et al. <em>Inks<\/em> 7.3 (2023): 277\u2013293.<\/li><li><a href=\"https:\/\/asapjournal.com\/review\/rebecca-wanzos-the-content-of-our-caricature-african-american-comic-art-and-political-belonging-katherine-kelp-stebbins\/\">Review of <\/a><em><a href=\"https:\/\/asapjournal.com\/review\/rebecca-wanzos-the-content-of-our-caricature-african-american-comic-art-and-political-belonging-katherine-kelp-stebbins\/\">The Content of Our Caricature<\/a><\/em> by Rebecca Wanzo. <em>ASAP\/J<\/em> 7.2, Oct. 2022. https:\/\/asapjournal.com\/rebecca-wanzos-the-content-of-our-caricature-african-american-comic-art-and-political-belonging-katherine-kelp-stebbins\/<\/li><li><a href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/21504857.2022.2136728\">Review of <\/a><em><a href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/21504857.2022.2136728\">Graphic Indigeneity: Comics in the Americas and Australasia<\/a><\/em><a href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/21504857.2022.2136728\">,<\/a> edited by Frederick Luis Aldama. <em>The Journal of Graphic Novels and Comics<\/em>, Oct. 2022. https:\/\/doi.org\/10.1080\/21504857.2022.2136728.<\/li><li><a href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/21504857.2022.2098790\">Review of <\/a><em><a href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/21504857.2022.2098790\">Comic Art in Museums<\/a><\/em><a href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/21504857.2022.2098790\">,<\/a> edited by Kim Munson. <em>The Journal of Graphic Novels and&nbsp; Comics<\/em>, Jul. 2022. https:\/\/doi.org\/10.1080\/21504857.2022.2098790.<\/li><\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Works in Progress<\/h2>\n\n\n\n<ul class=\"wp-block-list\"><li> \u201cThe Fence and the Grid: Reading the U.S.-Mexico Border Fence as Comics Infrastructure,\u201d in <em>Undisciplining Latinx Comics &amp; Visual Cultures: Theoretical, Pedagogical, and Aesthetic Approache<\/em>s, edited by Fernanda D\u00edaz-Basteris and Maite Urcaregui. Under advance contract with Rutgers University Press.<\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Books How Comics Travel: Publication, Translation, Radical Literacies. Ohio State University Press, 2022. 238 pages. The Art of the News: Comics Journalism. Print exhibition catalog. Editor. Jordan Schnitzer Museum of Art, 2021. 344 pages. The&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/katherinekelpstebbins.com\/index.php?rest_route=\/wp\/v2\/pages\/11","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/katherinekelpstebbins.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/katherinekelpstebbins.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/katherinekelpstebbins.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/katherinekelpstebbins.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11"}],"version-history":[{"count":18,"href":"https:\/\/katherinekelpstebbins.com\/index.php?rest_route=\/wp\/v2\/pages\/11\/revisions"}],"predecessor-version":[{"id":151,"href":"https:\/\/katherinekelpstebbins.com\/index.php?rest_route=\/wp\/v2\/pages\/11\/revisions\/151"}],"wp:attachment":[{"href":"https:\/\/katherinekelpstebbins.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}