{"id":48,"date":"2019-01-24T03:29:33","date_gmt":"2019-01-24T03:29:33","guid":{"rendered":"http:\/\/marcelbrousseau.com\/?page_id=48"},"modified":"2024-07-03T04:33:38","modified_gmt":"2024-07-03T04:33:38","slug":"talks","status":"publish","type":"page","link":"https:\/\/katherinekelpstebbins.com\/?page_id=48","title":{"rendered":"Talks"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Selected Conference Presentations<\/h2>\n\n\n\n<ul class=\"wp-block-list\"><li>\u201c\u2018You Can\u2019t Break the Rules If You Make the Rules\u2019: Race in Print and Pixels,\u201d Comics Studies Society (CSS), June 2024<\/li><li>\u201cA Manga, a Mural, a Totem Pole, and the Circuits of Exchange Between Indigenous and Settler Cultures,\u201d Expansions: traductions et internationalisation de la bande dessin\u00e9e produite au Canada, Montr\u00e9al, May 2024<\/li><li>\u201cHaida Manga and the Indigenization of Comics,\u201d CSS, Denton, August 2023<\/li><li>\u201cThe Iterable and the Irrevocable: Thematizing the Frames of Human Rights Abuses in Comics Journalism,\u201d International Comic Arts Forum (ICAF), Vancouver, April 2023<\/li><li>\u201cHeterotopic Materiality: The Translations of <em>Samandal<\/em>,\u201d American Comparative Literature Association (ACLA) Annual Meeting, Chicago, March 2023<\/li><li>\u201cHow to Frame a Massacre,\u201d Comics Studies Society (CSS), East Lansing, August 2022<\/li><li>\u201cBeyond the Two Solitudes: Canadian Indigenous Art,\u201d Au-del\u00e0 des deux solitudes en bande dessin\u00e9e Colloque, Coll\u00e8ge de Maisonneuve et Festival de bande dessin\u00e9e de Montr\u00e9al, Montr\u00e9al, May 2022<\/li><li>\u201cThe Art of the News: The Ethical Technics of Comics Journalism,\u201d Modern Language Association (MLA) Annual Convention, Washington DC, January 2022<\/li><li>\u201cThe Fence and the Grid: Reading the U.S.-Mexico Border Fence as an Infrastructure for Comics,\u201d Visual Depictions of the American West, Ca\u2019Foscari Universit\u00e1, Venice, September 2021<\/li><li>\u201cIntellectually Decolonizing the Settler Colonial Grid,\u201d Crisis Lines: Coloniality, Modernity, Comics, City University of London, June 2021 <\/li><li>\u201cDecolonize This Place\/Decolonize This Page: Michael Nicoll Yahgulanaas\u2019s Haida Manga on and off the Wall,\u201d American Comparative Literature Association (ACLA) Annual Meeting, April 2021<\/li><li> \u201cTranslation and Disorientation: Magdy El-Shafee\u2019s <em>Metro <\/em>and Mazen Kerbaj\u2019s \u2018Suspended  Time Vol. I: The Family Tree,\u2019\u201d Modern Language Association (MLA), Seattle, January 2020<\/li><li> \u201cComic Strips and Heat Maps: Critical Optics for Capturing Migrants in Europe,\u201d MLA, Seattle, January 2020<\/li><li> \u201cReading Spaces and the Politics of Location,\u201d Comics Studies Society (CSS), Toronto, July 2019<\/li><li> \u201cFrameline: A Way into Something Else; The Haida Manga of Michael Nicoll Yahgulanaas,\u201d Humanities, Arts, Science, and Technology Alliance and Collaboratory (HASTAC), Unceded Musqueam Territory, UBC Vancouver, May 2019<\/li><li> \u201cThe Yellow Line and the Experience of Militarized Vision as Augmented Reality,\u201d MLA, Chicago, January 2019<\/li><li> \u201cAfter the Deluge: Scalar Politics and Josh Neufeld\u2019s Graphic Partitioning of Hurricane Katrina,\u201d Association for the Study of the Arts of the Present (ASAP), Tulane University, New Orleans, October 2018<\/li><li> \u201cTintin in the World of the Artifact: Authenticity and Artifice, Colonialism and Copyright,\u201d MLA, New York, January 2018<\/li><li> \u201cComics, Cartographies, and the Politics of Location,\u201d Popular Culture Association\/ American Culture Association National Conference (PCA\/ACA), San Diego, CA, April 2017 <\/li><li>\u201cThe Yellow Line, Militarized Vision, and the Unreal Rhetorics of Sports Broadcasting,\u201d American Comparative Literature Association (ACLA) Annual Meeting, Harvard University, March 2016<\/li><li> \u201cGraphic Re-Worlding: The Radical Literacies of Global Comics,\u201d ACLA, University of Washington, March 2015 <\/li><li>\u201cTwo Women\u2019s Texts and a Critique of Cultural Imperialism,\u201d ACLA, New York University, March 2014 <\/li><\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Invited and Community Presentations<br><\/h2>\n\n\n\n<ul class=\"wp-block-list\"><li>\u201cComics Journalism: Tactical Human Rights,\u201d Oregon Humanities Center, April 2024<\/li><li>\u201cScience and Comics Initiative,\u201d Science Talk \u201924, Portland, April 2024<\/li><li>\u201c<em>How Comics Travel: Translation, Publication, Radical Literacies<\/em>,\u201d The Oxford Comics Network, Oxford University, March 2024<\/li><li>\u201cThe Art of the News: Curator\u2019s Talk,\u201d The Billy Ireland Cartoon Library and Museum, The Ohio State University, April 2023<\/li><li>\u201c<em>How Comics Travel<\/em>,\u201d Books in Print Series, Oregon Humanities Center, January 2023<\/li><li>\u201cThe Science of Comics\/The Comics of Science,\u201d Oregon Museum of Science and Industry, January 2023<\/li><li>\u201cComics, Color, and Controversy,\u201d New York Public Library Doc Chat Episode Fifty-Nine, December 2022, https:\/\/www.nypl.org\/blog\/2022\/12\/19\/doc-chat-ep59-comics-color-controversy<\/li><li>\u201cMaterializing Multilingualism from Haida Gwaii to Beirut,\u201d Keynote for University of British Columbia Arts Multilingual Week, November 2022<\/li><li>\u201cKnow Comics\u2014Comics Journalism,\u201d Deschutes Public Library Series, February 2022<\/li><li>\u201cCurating Comics Journalism,\u201d The School of the Art Institute of Chicago, December 2021<\/li><li>\u201cComics Journalism,\u201d Public Lecture, Eugene Public Library in conjunction with the Jordan Schnitzer Museum of Art, October 2019<\/li><li> Thi Bui\u2019s <em>The Best We Could Do<\/em>: Invited presentation for staff of The Office of the Vice President for Research and Innovation, University of Oregon, January 2019<\/li><\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Panelist<\/h2>\n\n\n\n<ul class=\"wp-block-list\"><li>\u201cManga\u2019s Global Influence,\u201d MLA, Washington DC, January 2022<\/li><li>\u201cIs the 21st Century the Age of the Graphic Narrative: Roundtable with Scott McCloud,\u201d Comics Cornucopia Symposium, Santa Barbara, April 2013 <\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Selected Conference Presentations \u201c\u2018You Can\u2019t Break the Rules If You Make the Rules\u2019: Race in Print and Pixels,\u201d Comics Studies Society (CSS), June 2024 \u201cA Manga, a Mural, a Totem Pole, and the Circuits of&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-48","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/katherinekelpstebbins.com\/index.php?rest_route=\/wp\/v2\/pages\/48","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/katherinekelpstebbins.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/katherinekelpstebbins.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/katherinekelpstebbins.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/katherinekelpstebbins.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=48"}],"version-history":[{"count":10,"href":"https:\/\/katherinekelpstebbins.com\/index.php?rest_route=\/wp\/v2\/pages\/48\/revisions"}],"predecessor-version":[{"id":155,"href":"https:\/\/katherinekelpstebbins.com\/index.php?rest_route=\/wp\/v2\/pages\/48\/revisions\/155"}],"wp:attachment":[{"href":"https:\/\/katherinekelpstebbins.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=48"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}